![]() Please connect your Clock Radio AC power code to a wall outlet when you replace the battery. IMPORTANT : The current date, time and alarm information will be erased if you disconnect the AC plug from the wall outlet while replacing the battery (CR2032). To deactivate the daylight saving time (summer time) adjustment, press and hold DST for more than 3 seconds again. To set the radio alarm, first tune in to a station and adjust the volume (see Playing the radio). “DST” appears on the display and the clock display switches to daylight saving time (summer time). The factory setting alarm time is PM 12:00.The back up battery saves your settings for the clock and your alarm clock settings in. Press and hold DST for more than 3 seconds. Backup battery is hidden under the clock in the hollow space beneath.To set a sony dream machine alarm clock, first press the clock button and. To change the display to indicate daylight saving time (summer time)Ĭhange the daylight saving time (summer time) adjustment setting according to the following procedure. Sony Dream Machine Alarm Clock Radio Manual - This has been tested and works great. Please be sure to save the video so you can watch it in the future. More SONY ICF-C1 Vidoes Sony ICF-C1 Alarm. Step 3 Press the + and - buttons until the year is set correctly. Video of the Day Step 2 Press 'Clock' if you are not in the U.K. Step 1 Plug in the ICF-C218 in a well-ventilated area free of moisture. NOTE: If you do not press any button for about 1minute while setting the clock, clock setting mode will be canceled. How to manually set the time on a Sony ICF-C1 alarm clock. This means that, in general, the ICF-C218 has more options than most alarm clocks. After setting the time, two short beeps will sound and the seconds will start incrementing from zero.Product Support Electronics Registration Product Manuals & Warranty Product Repair. Repeat step 2 to change your month > day > time. ICF-C1PJ Radio Alarm Clock with Projector.Press + or – repeatedly to select the year, and then press ENTER/TIME SET to select the next date time option.You will hear a beep and the last two digits of the year will start to flash on the display. Press and hold ENTER/TIME SET for more than 2 seconds. ![]() Follow these steps to set the clock date and time.
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![]() ![]() Carmen from Seattle, UsaTeaching music at the K-3 level, it's occurred to me that between this one and "Octopus's Garden" (both of which they seem to know from birth), until they're about 9 years old, kids must think that The Beatles were some old group that wrote songs for children.This is substantiated by the trippy, way in the movie, they play the turn of phrase, "Sea of green," and it goes very psychedelic. Gerry from Winston-salem, NcThe, "Sea of green" is not talking about money, it refers to the long standing, Dutch method of marijuana production in which the plant flowers continuously, not going back into the vegetative cycle, which would happen starting in early to mid Autumn.It seems that my perfect grammar may have been wasted. Gerry from Winston-salem, NcWow, some of the people here could use spell-check.When he listed it, the boys started singing this. Before that, our art teacher was listing the warm ups, and one of them was a submarine. Like once, I brought it up with my friend, and he started singing it. Bridget from CoThis seems to be popular when it comes to messing with Beatles songs.I had no idea! This is probably one of my favorite songs ever. I really couldn't believe that Ringo sings this song. Kate from CanadaThis is an amazing song.Joe from BrooklynBack in the 60's there was a popular pill called Pentobarbital, sold mainly in Britian where the beatles are from.ChloeJohn Lennon hated this song so much, that, he wrote a note to Paul McCartney saying "DISGUSTING!! SEE ME!".Claudio Lessa from Brasilia, BrazilWhat do the "sailors" say (scream, yell or whatever) at the end of the song? Could you transcribe that, please? Thank you!.McCartney used this technique on " Blackbird," and Lennon used it on " Dear Prudence." He also helped Lennon with another song written in India, " Julia," which John wrote about his mother. In February 1968, he joined the Beatles on their retreat to India, where he taught McCartney and Lennon the "clawhammer" guitar technique, where the picking hand strikes the strings in a downward motion with the back of the nail. This line is Donovan's best-known contribution to a Beatles song, as it's the most concrete, but it was simply adding a line he takes more pride in other Beatles songs he influenced on their shared musical journey. So I took his words and turned them around for him." In our interview with Donovan, he explained: "He already had those words to the song, but he seemed to have a hole in the song. The Scottish musician Donovan, a good friend of The Beatles, made a key contribution to this song, coming up with the line "Sky of blue, sea of green."Īfter he got the idea for the song, Paul McCartney dropped by Donovan's place and asked him for suggestions in hashing out a verse. ![]() The exact moment of when a pidgin language becomes a creole isn’t fully agreed on by linguists, but many claim it is when the pidgin language is taught to the next generation. Maybe you’ve heard of Haitian Creole, Belizean Kriol or Papiamentu? All are examples of a pidgin that has evolved to become used in more situations that just the necessities to trade etc. There are many cases in history when a pidgin becomes a language in it’s own right, in which case it becomes a creole language. See how much you can understand with your knowledge of your version of English! Creole The video below shows some examples of Nigerian Pidgin English filmed on the streets of Lagos. Zonke nyoni pezulu yena khala kakhulu means “All the birds above, they cry loudly/a lot”. However, Fanagalo, a Zulu based pidgin from South Africa may be trickier for English speakers to understand. Top headlines include “ Ghana: See as dis girls conquer autism” and Why BBC Pidgin Facebook Live with Dino Melaye no work. ![]() ![]() What’s incredible about pidgins is how they are sometimes relatively easy to understand for speakers of one language and sometimes…not so much.įor example, Nigerian Pidgin, which now has a BBC News page in the language could be considered on the easy end of that spectrum. When one language meets another and people need to trade for economic purposes, a pidgin, not a bird but rather a mixture of the two languages that can be understood by both parties, forms. This has always been of interest to me personally because where I grew up, in Northamptonshire, aka the middle of England, aka The Midlands that are always ignored in The North vs The South debate, I found myself using a mixture of both, often depending on the speed I speak or whether or not that word is at the start, middle or end of a sentence.Īs you can see from this clip, it’s quite a heated debate in the UK…Īnother variation on language is the creation, often naturally, of pidgin languages. So the word ‘bath’ would sound something more like ‘barth’. However, down south, people are often expected to add almost an ‘r’ sound to the end of that ‘a’, that they’re already making a longer vowel of. Typically, you would expect accents from the North of England to say the word ‘bath’ with a short ‘a’ sound like the ‘a’ in ‘cat’. Oxford Living Dictionaries shares a great example of the ‘Bath A’ in British English accents. The distinction between accent and dialect can become kind of hazy, but, to put it simply, whereas dialect refers to pronunciation and vocabulary and grammar structures used that may differ from the “expected” version of a language, accent tends to refer only to the sounds or pronunciation that combine to create a particular accent. Also, “Cockney accent” brings up more Google results than “Cockney dialect”. I’ve definitely used the term “Cockney accent” in the past, just as one example. Accentīut surely, these words can be used to describe accent too, right? The more you know about a language, the more dialects you can identify when you hear people speak. Let’s take England alone now as our example.Ĭockney, Received Pronunciation, Geordie, Brummie…to name just a few. However, what makes this such a complex and interesting thing is when we then include things such as Scottish English, Welsh English, Northern Irish English, and English English (referring to English spoken in England).īut of course, on an even deeper level, we could say that there’s even more. ![]() With that in mind, if you’re reading this then you know English, but do you understand everything being said in this interview? I’m not a linguist, I’m not an authority in this, and I’d love to hear your interpretations of these terms too.Ī dialect is a way of speaking that is distinct enough to be considered a variation of a language yet familiar enough to be understood as that language.įor example, American, Australian, and British English could all be considered dialects of the same language: English. Instantly you can see this is going to be a fun post with lots of room for discussion in the comments, which by the way is totally cool. After all, you’re probably familiar with the phrase “A language is a dialect with an army and a navy”.
![]() ![]() Suffice to say, this one’s not for the casual user. You want the kitted out version? For the M2 Max with 12‑core CPU and 38‑core GPU, 16‑core Neural Engine, 96GB unified memory, and 8TB SSD storage, be prepare to rob a bank with that eye-watering $6,299 / £6,549 / AU$9,799 price. At its hefty starting price of $1,999 / £2,149 / AU$3,199, which gets you a 10-Core CPU, 16-Core GPU M2 Pro, 16GB unified memory, and 512GB SSD, it’s just as much as a higher-configuration MacBook Air 15-inch. ![]() The MacBook Pro 14-inch (2021), on the other hand, does not kid around. And, if you want to jump on the MacBook bandwagon, that’s one of the cheapest ways to do so. The base model, with comes with an M2 chip with 8-Core CPU and 10-Core GPU, 8GB unified memory, and 256GB SSD will set you back $1,299 / £1,399 / AU$2,199 while the most kitted out configuration, which has the same CPU and graphics but comes with 24GB unified memory and 2TB storage, will cost you $2,499 / £2,599 / AU$3,999.Ĭompared to even some of the best Windows laptops, you’re still paying a lot, but that’s Apple for you. The MacBook Air 15-inch (2023), as we mentioned, is really just a MacBook Air 13-inch with a bigger screen, which means you’re only looking at paying $100/£100 to $200/£200 more than Apple’s smallest and lightest. The MacBook Air line remains the champion of the masses – or at least as much as Apple could muster. MacBook Air 15-inch vs MacBook Pro 14-inch: Price ![]() Wanted for their murders as well of those of his colleagues, Max takes refuge on a derelict boat in the Port Lands. Long live the new flesh." On her orders, he kills Harlan and Convex. Bianca then 'reprograms' Max to her father's cause: "Death to Videodrome. He later attempts to murder Bianca, who manages to stop him by showing him a videotape of Nicki's murder on the Videodrome set. ![]() Under Convex's influence, Max murders his colleagues at CIVIC-TV. Convex then inserts a brainwashing Betamax tape into Max's torso. There, Harlan reveals that he has been working with Convex with the goal of recruiting Max to their cause: to end North America's cultural decay by giving fatal brain tumors to anyone so obsessed with sex and violence that they would watch Videodrome. Wanting to see the latest Videodrome broadcast, Max meets Harlan at his studio. He frantically calls Harlan to photograph the body as evidence, but, shortly after he arrives, her body is no longer anywhere to be found. Max then wakes up to find Masha's corpse in his bed. He is contacted by Videodrome 's producer, Barry Convex of the Spectacular Optical Corporation, an eyeglasses company that acts as a front for an arms company, who uses a device to record Max's fantasies of whipping Nicki. Later that night, Max hallucinates placing his handgun in a slit in his abdomen. In the year before his death, O'Blivion recorded tens of thousands of videos, which now form the basis of his television appearances. When he found out it was to be used for malevolent purposes, he attempted to stop his partners they used his own invention to kill him. O'Blivion helped to create it as part of his vision for the future, and viewed the hallucinations as a higher form of reality. Bianca tells him Videodrome carries a broadcast signal that causes the viewer to develop a malignant brain tumor. Disturbed, Max returns to O'Blivion's homeless shelter. Later, Max views a videotape in which O'Blivion informs him, before being garrotted by Nicki, that Videodrome is a socio-political battleground in which a war is being fought to control the minds of the people of North America Max then hallucinates that Nicki speaks directly to him and causes his television to undulate as he kisses the screen. He discovers that O'Blivion's daughter Bianca runs the mission, intending to help realize her father's vision of a world in which television replaces every aspect of everyday life. Max tracks down O'Blivion to a homeless shelter where vagrants are encouraged to engage in marathon sessions of television viewing. Masha further informs him that the enigmatic media theorist Brian O'Blivion knows about Videodrome. Through Masha, Max learns that not only is the footage not faked, but it is the public "face" of a political movement. Max contacts Masha, a softcore pornographer, and asks her to help him find out the truth about Videodrome. Nicki Brand, a sadomasochistic radio host who becomes sexually involved with Max, is aroused by an episode of Videodrome, and goes to audition for the show when she learns that it is being broadcast out of Pittsburgh, but never returns. ![]() Believing this to be the future of television, Max orders Harlan to begin unlicensed use of the show. Harlan, the operator of CIVIC-TV's unauthorized satellite dish, shows Max Videodrome, a plotless show apparently being broadcast from Malaysia which depicts anonymous victims being violently tortured and eventually murdered. Max Renn is the president of CIVIC-TV, a Toronto UHF television station specializing in sensationalist programming. Now considered a cult classic, the film has been cited as one of Cronenberg's best, and a key example of the body horror and science fiction horror genres. Cronenberg won the Best Direction award and was nominated for seven other awards at the 5th Genie Awards. The film received praise for the special makeup effects, Cronenberg's direction, Woods and Harry's performances, its "techno- surrealist" aesthetic, and its cryptic, psychosexual themes. With the highest budget of any of his films to date, the film was a box-office bomb, recouping only $2.1 million from a $5.9 million budget. Layers of deception and mind-control conspiracy unfold as he attempts to uncover the signal's source.ĭistributed by Universal Pictures, Videodrome was the first film by Cronenberg to gain backing from any major Hollywood studio. Set in Toronto during the early 1980s, it follows the CEO of a small UHF television station who stumbles upon a broadcast signal of snuff films. Videodrome is a 1983 Canadian science fiction body horror film written and directed by David Cronenberg and starring James Woods, Sonja Smits, and Debbie Harry. ![]() Size – or rather unit depth – is becoming less of a problem with modern LCD and DLP rear projection TV units. If you don’t have a large viewing room, a 40″ to 60″ diagonal TV will probably be more than adequate rendering a rear projection TV the ideal affordable solution – as long as it fits in the available space. Therefore, do not base your decision on price alone to decide between a front projection setup and a rear projection TV box.Ĭlearly, there is a market for both – the primary decisive factor should be your room size. The reality is that for a given budget level, prices online are such that front projectors will deliver a much more cinema-like experience for the same price bracket. This may be true in retail stores, but not necessary so when buying online. Yet the real ‘culprit’ behind the popularity of rear projection TV systems does not arise out of some particular benefit associated with rear projection but out of the fact that most big screen retailers seem to give the impression that rear projection systems are cheaper than most front projection setups. No mess, no fuss, if you have the space, either visit your local big screen retailer – or better still, check at your favorite online electronics superstore – to order your product and get it delivered in just a few days unpack the product and there you have a big screen TV in your living room ready for immediate use!Īs already stated, rear projection offers a most immediate solution to getting a bigger TV probably, this is also one of the main drivers behind rear projection television sales. Rear Projection Television – An Affordable OptionĪ great deal of consumer appeal for Rear Projection TV systems arise out of the shear simplicity that this product offers as an immediate solution to getting a bigger TV. In this article, we discuss the advantageous and limitations of rear projection systems as a big screen solution in the home theater. Unlike the larger front-projection models, these rear-projection designs are easily at home in the living room.One of the big questions every home theater enthusiast has to face when planning a new home theater is whether to invest in a rear projection TV, or to opt for the two piece video projector – screen setup.īoth approaches have got their pros and cons. Yet, instead of an ordinary tube face, they have a matte-glass screen-usually measuring about 50 inches diagonally-illuminated from within the cabinet by a system of lenses. The most popular big-screen models are the far smaller rear-projection types, which look like an ordinary, if somewhat oversized, television console. In picture area, that is about 14 times the size of a standard 25-inch tube screen. ![]() For example, the new and notably well-engineered Zenith PV800P Color Projection Monitor yields an uncommonly bright and well-defined picture diagonally measuring a most generous 8 feet. By contrast, the largest two-piece models, where the screen always stays separate in front of the set, reach far larger screen dimensions. ![]() In one-piece models, the screen folds down into the projector when it is not in use, which limits available screen sizes to about 50 inches, measured diagonally. ![]() All of them work somewhat like movie projectors in that the image is projected onto a screen. Three basic types of projection TV sets are currently offered: one-piece front projection, two-piece front projection and rear projection. However, this is not necessarily a drawback because owners of projection TV often think of it as a kind of home theater in which they always occupy the best seats-usually a comfortable couch in just the right position in relation to the screen. As a result, it is difficult to watch from the side. To overcome the handicap of relative dimness, many projection screens are curved to concentrate all available light on the area where the viewers presumably sit-directly in front of the screen. In consequence, projection TV is best seen in partially darkened rooms. Moreover, the brightness generated by the picture tube gets scattered in being projected onto the big screen so the picture is usually much dimmer than what is seen on regular television sets. But when the same signal with its fixed number of pixels (picture elements) is spread over the large area of the projection screen, the image naturally becomes more diffuse. When this visual information is closely crowded together on a relatively small tube screen (and seen from an appropiate distance) the resulting impression is one of a reasonably sharp and coherent image. For one thing, the big picture is usually fuzzy for the simple reason that only a fixed and rather limited number of image lines and other picture elements can be transmitted under present broadcasting rules. However, sheer size is not an unalloyed pleasure, and there are certain trade-offs. ![]() Most of the world around us is not made of regular 2D shapes the way they are drawn in simple shape books and posters. As Puppy solves problems, readers get to explore how 2D shapes are the flat faces of 3D prisms and share in the delight of discovering “a rectangle block-that’s a square block, too!” Harris tells the story of Puppy putting together blocks to build a bed that’s just the right size for a nap. A ball is round in every direction so we call its shape a sphere.” The book Now What? A Math Tale by Robie H. You can acknowledge what the child knows while pushing for greater precision-“Yes, the ball is round like a circle, but it’s not flat. For example, many children will say that a ball is a “circle” because it is round. This is a great opportunity to help children see the relationship between different types of shapes, particularly 2D and 3D shapes. Going on a “Shape Hunt” in real life or through picture books such as Shapes, Shapes, Shapes by Tana Hoban is bound to turn up many common 3D objects that get labeled with 2D shape names. For example, you might say, “Yes, I see three sides, but the crust side is curved so it’s not exactly a triangle. ![]() This is a great opportunity to focus on the defining attributes of a triangle. Likely, the child will have noticed that the slice has three sides. So, if a child says a pizza slice is a triangle, you might ask them why they think that. How often might we point to a piece of pizza and call it a “triangle?” As adults, it’s not our main concern to correct children’s language, but to listen to what shape knowledge children reveal by what they say and to build on it. Luckily, it’s easy to find nonexamples to discuss in everyday life. Nonexamples are highly visually similar to a type of shape but lack at least one defining attribute. Talking about diverse shape examples along with nonexamples can go a long way to help children understand what defines a shape-what makes a triangle a triangle, for example. As a result, children may not recognize isosceles and scalene triangles as triangles because they look “stretched out.” Children may say that a triangle with a vertex pointing down is “upside down.” Watch a small group discussion about “upside down” triangles during a preschool activity called Feel for Shapes. Most children’s books present triangles as equilateral (3 equal sides) and oriented to sit on a horizontal base. So it’s up to us to find, share, and talk about a variety of shapes with children in ways that expand their understanding and build connections between shapes (think, how is a square a special case of a rectangle?) and connections between the shapes drawn on paper and the concrete objects in our world. And these shapes are usually presented in only one typical way so that children often develop rigid and fixed notions of what shapes must look like. ![]() In fact, the majority of emphasis gets put on just four shapes: circles, triangles, rectangles, and squares. Though we live in a 3D world, common language and materials used to teach children about shapes focus on 2D shapes. Long before children have language to name or describe these different types of shapes, they develop intuition about which shapes roll, how a flat surface feels, and that “corners” are pointy. They informally learn about the properties of 3D shapes as they mouth, touch, and play with blocks, balls, and other objects in daily life. ![]() Children explore the everyday shapes in their environment from birth. ![]() Currently, around 140 genetic variants have been identified by genome-wide association studies (GWAS) explaining ~12% of the variability in colorectal cancer risk. The etiology of colorectal cancer involves a complex interplay between genetic and environmental determinants. ![]() These results suggest that variation in genes related to insulin signaling ( SLC30A8) and immune function ( LRCH1) may modify the association of diabetes with colorectal cancer risk and provide novel insights into the biology underlying the diabetes and colorectal cancer relationship.Ĭolorectal cancer is the third most common cancer globally with an estimated number of 1.9 million new cases in 2020. joint test) and G-diabetes correlation (3-d.f. ![]() We used data from 3 genetic consortia (CCFR, CORECT, GECCO 31,318 colorectal cancer cases/41,499 controls) and undertook genome-wide gene-environment interaction analyses with colorectal cancer risk, including interaction tests of genetics(G)xdiabetes (1-degree of freedom d.f.) and joint testing of Gxdiabetes, G-colorectal cancer association (2-d.f. To address these questions, we undertook a genome-wide gene-environment interaction analysis. However, the mechanisms underlying this relationship still require investigation and it is not known if the association is modified by genetic variants.
Let’s begin with that last part, in fact. That conclusion, more or less, is a vague and insipid notion that we went too hard and too far, an unspoken implication maybe we should’ve been a bit more like Germany and Sweden, without actually having the guts to present the facts on what that would’ve entailed or what it would’ve meant for Australia at large. Unfortunately you won’t find much of that in Chip Le Grand’s Lockdown, a book which presents itself as a piece of serious investigative journalism and occasionally manages to accomplish that, but is for the most cherry-picked, agenda-driven and fundamentally shallow, serving only to arrive at the conclusion Le Grand had clearly already settled on when he was on the editorial board at the Age in 20, let alone by the time he was sending this off to the editors in 2022. It’s a period which deserves thoughtful reflection, a careful examination of the decisions which were made at all levels of government, and a consideration of what it meant as a collective experience. It would be kind of weird if we never looked back on it at all. I totally understand that sentiment, but on the other hand: it was a hugely unprecedented, intensely strange and (not to be a drama queen about it) deeply traumatic time in Melbourne’s history, and therefore in our lives. ![]() Nobody enjoyed the Melbourne lockdowns, even though most of us thought they were necessary, and whatever your political opinions on the matter at the time the prevailing mood now is that it was a shitty period in our lives which we’re just happy to move on from. Plenty of people were surprised to see I was reading this, and were happy to express an opinion on what they’d rather do, usually of the arm-in-a-woodchipper variety. ![]() Spotlight Films include Jeff Feuerzeig’s AUTHOR: THE JT LEROY STORY Mike Birbiglia’s DON’T THINK TWICE, starring Birbiglia, Keegan-Michael Key and Gillian Jacobs Clay Tweel’s GLEASON Sophie Goodhart’s MY BLIND BROTHER, starring Nick Kroll, Adam Scott and Jenny Slate Chris Kelly’s OTHER PEOPLE, starring Molly Shannon, Jesse Plemons and Bradley Whitford and Sian Heder’s TALLULAH, starring Ellen Page and Allison Janney. This hilarious comedy adventure starring Sam Neill and Julian Dennison, is based on Barry Crump’s novel Wild Pork and Watercress, and tells the story of a national manhunt that is ordered for a rebellious kid and his foster uncle who go missing in the wild New Zealand bush. The Orchard’s HUNT FOR THE WILDERPEOPLE, written and directed by Taikia Waititi, closes this year’s edition. ![]() Heidi Ewing and Rachel Grady’s NORMAN LEAR: JUST ANOTHER VERSION OF YOU, a portrait of the influential creator behind legendary sitcoms like ALL IN THE FAMILY and THE JEFFERSONS, will be the festival’s centerpiece film. This year the studio brings to the festival the eagerly-awaited animated feature FINDING DORY, directed by Andrew Stanton and co-directed by Angus MacLane, a return to the beloved characters from the acclaimed FINDING NEMO. And, for the seventh year in a row, NFF will screen a Disney ![]() A real-life fairy tale about Owen Suskind, an autistic boy who used Disney animated films to communicate with his family, this award-winning documentary is an unforgettably story of the magic of cinema, and of a family’s love and determination. The Nantucket Film Festival has announced the opening night selection for its 2016 festival will be The Orchard/A&E IndieFilm’s LIFE, ANIMATED, directed by Roger Ross Williams. |
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